Tuesday, 26 July 2016

George Victory's Message to the Nation


George Victory, Another Cultural Soldier Leaves

By William Doyle-Marshall
Hi Lites Combo of Arouca, Trinidad and Tobago has lost George Victory, a sterling member who now joins the many talented cultural contributors of the twin island Republic currently making music for Saint Peter. Others associated with this organization that made a very good impression on the music scene in the sixties include Jathneil (Jato) Thomas; Bertie Fraser, Owen Lynch, John Babb, Leroy Cuffie, George Bleasdelle, Alvin (the Bear) Vincent; Randolph Yearwood; Noel Wint, manager and William Doyle-Marshall, assistant manager.
George Victory
   Though the background info from KWest Productions on the Internet says George grew up in New York City I recall the young man playing a phenomenal role in Hi Lites Combo as guitarist and one of the lead singer. From my recollection, he was never afraid to try something new. When I introduced Jato to Earl Grant’s “Winchester Cathedral” George was there playing with his instrument in preparation for the clash at the Arouca Community Center with Roland Daniel’s combo – a leader at the time in the pop world. George and Thomas took the stage that night with the rest of the team established Hi Lites as an orchestra to be respected. Since that time George and many of us joined the band of migrants for other parts of the world. As one who spent good time in New York City, his presence has been unmistakable. He is known as one who has been associated with every calypso album produced not only in New York City but the Caribbean as a whole and Europe. He left this world as a very accomplished musician – guitarist, key boardist, background vocalist, studio man and more. That one of Errol Ince’s production, George’s talent shines predominantly with all the power and vigour at his disposal.. he has left us with numnerous recordings on You Tube – Trinbago y Home Sweet Home; Another Brick in the Wall; Papa Was a Rolling Stone; What A Wonderful World; Redemption Song; Pan In Yuh Ras
   We join George Victory’s relatives in time of mourning. But we know George would be pleased if we cancel the crying and moaning. So we’ll try. We are never prepared when our friends and relatives are taken away. But God helps us. We know he has other creative work for George with Art DeCoteau, Sel Duncan, Michael Jackson, Garfield Blackman, Dave Deastro (the Bandit), Andre Tanker, Percy Sledge, Aldwyn (Lord Kitchener) Roberts, Merchant, King Curtis, James Brown and so many others who preceded him. We know you’ll rest peacefully in the orchestra of cultural achievers.
   One song that George Victory has left behind is going to be memorable for a long time especially as one looks at the social conditions in the country of his birth. While participating in the 1994 edition of the World Calypso Monarch contest in New York City he sang “What have you done to my sweet and beautiful country? I cried oh I cried for days for my sweet, sweet La Trinity.” With much regrets he has left us and T&T has not yet found answer to his question. However we are confident that Victory is resting with one serious thought which I am compelled to share with you: “Whatever your problem may be I would never disown my country. Wherever I roam, however I roam, sweet Trinbago will always be my home, sweet home.”
   It is my hope is that as we put George Victory to rest the leaders in Trinidad and Tobago and indeed the Caribbean would stride and find answers to the ills that are affecting the people – crime and corruption at many levels. “Every day in the papers it’s robberies and murders like all out war. How it makes me wonder where is the peace and order that we had before. Oh  No. No respect, no regard for authority. They just killing every day doi doi doi but tell them I say there will come a day they will have to pay. No. No. No. they can’t get away.”
This is George Victory’s message which I trust will be acted upon. It’s never too late to take action for the overall good of our country.
Wm. Doyle-Marshall
   One song that George Victory has left behind is going to be memorable for a long time especially as one looks at the social conditions in the country of his birth. While participating in the 1994 edition of the World Calypso Monarch contest in New York City he sang “What have you done to my sweet and beautiful country? I cried oh I cried for days for my sweet, sweet La Trinity.” With much regrets he has left us and T&T has not yet found answer to his question. However we are confident that Victory is resting with one serious thought which I am compelled to share with you: “Whatever your problem may be I would never disown my country. Wherever I roam, however I roam, sweet Trinbago will always be my home, sweet home.”
   It is my hope is that as we put George Victory to rest the leaders in Trinidad and Tobago and indeed the Caribbean would stride and find answers to the ills that are affecting the people – crime and corruption at many levels. “Every day in the papers it’s robberies and murders like all out war. How it makes me wonder where is the peace and order that we had before. Oh  No. No respect, no regard for authority. They just killing every day doi doi doi but tell them I say there will come a day they will have to pay. No. No. No. they can’t get away.”

This is George Victory’s message which I trust will be acted upon. It’s never too late to take action for the overall good of our country.

Saturday, 25 June 2016




 


Jazz Festivals and Theatre Firing Up Cities Menus


By William Doyle-Marshall
As usual, the City of Toronto and other cities across Canada are warming up with cultural activities designed to keep everyone involved. The diverse range spans music theatre arts, art, sculpture, dance, calypso, and the list goes on, Multi award winning trumpeter Brownman and his musical entourage will be appearing at 15 different locations around Toronto during this year’s Toronto Jazz Festival which runs through July 2.
In an exclusive interview recently with Indo Caribbean News the Trinidad-born musician and bandleader expressed a burning desire to see more Canadian bands featured on the main stage of the festival. While Brownman announced proudly that he is busy during the festival, he noted none of his gigs are on the main stage of the Toronto Jazz Festival which he considered “kind of weird”.
  “They don’t really support local artists. They put a handful of local guys on the main stage but really they’re saving their money to pay for the big names or the super stars so not much is left over for local support. Usually it’s a poor showing of local talent on the main stage but everybody runs into a club. So if you want to see Toronto talent during the Toronto Jazz Festival you got to go to the clubs. It’s about selling tickets and putting hums in seats,” Brownman remarked.”
Legendary super-group, KC and The Sunshine Band kicked off the festivities with a free concert marking the TD Toronto Jazz Festival launch of its 30th edition, Friday, June 24 at Nathan Phillips Square. With official DJ and hosting duties by Canada’s hip-hop ambassador, Kardinal Offishall, opening night featured the Heavyweights Brass Band and a special performance with a Swing vs. Street dance-off like Toronto had never seen before!
   The Brownman Akoustic Trio performs July 1 Second Cup Coffee Co. 287-289 King Street West. The Festival is expanding its footprint and by partnering, for the first time, with Second Cup Coffee Co. at the new concept cafĂ© at King Street and John Street. “Programming will be chosen to reflect the contemporary and laidback environment, showcasing the wide variety of jazz being performed in Toronto year-round,” festival promo promises. Joe Sealy, June Bunnette, Hilario Duran, Molly Johnson, Toronto Mass Choir, Tanika Charles, Rhythm and Truth; We Came to Get Down: Swing vs. Street; Bill King Express and  are among Canadian performers booked to appear during the festival.
   Another Jazz event which attracted music lovers took place in Calgary, Alberta, where among the genres showcased was a taste of Latin offerings. Kodi Hutchinson, artist director of Calgary Jazz YYC Festival concurred that Jazz is such a wide ranging music that it’s really important having groups like that as part of the festival. Jazz is not just swing. It’s not just straight ahead. It’s really a vast diverse genre and there are quite a few Cuban groups in Alberta, Hutchinson concluded.
“Class In Session! Don’t Forget Your Eraser.” This Homeland Collective production will be premiering at the 2016 Toronto Fringe Festival, this summer, from June 29 – July 10. During the period of the festival Eraser can be seen at Westside Montessori School, 95 Bellevue Avenue, Toronto. It is a site-specific physical theatre show, set in a downtown Toronto school. From kindergarten to grade six, the performers explore immigration, bullying, puberty, first crushes, racism, and queer family structures. This is Producer Winnie Nwakobi’s first show as a  producer. However, she is no stranger to the business having tastes as director, producer and performer. Last year, she directed 'The Vagina Monologues' at York University. Ms Nwakobi has also been part of The Paprika Festival for 3 years, where she produced, wrote and performed 3 different shows with other artists. She is also currently a Youth Link Artist with Canada’s highly successful Soulpepper Theatre Company.
   Eraser’s performers are some of Toronto’s rising talent who are sure to make you laugh and cry as you are transported back in time when pencils and erasers were among your best companions. “Once we become adults it is easy to forget our roots and earliest influences. Children are often thought of as innocent. Through our explorations, we have uncovered the depth, complexities and traumas that hide beneath this layer of innocence,” the collective promises
    Eraser, directed by Sadie Epstein-Fine and Elise LaCroix, features an outstanding 6-person ensemble: Moe Baloch; Christol Bryan; Deanna Galati; Victoria Gubiani; Michael Pintucci; Nathan Redburn. The creative team is comprised of Aman Banwait (Sound Design); Jocelyn Graham (Costume/Set Design); Zack Lovetime (Stage Manager); Madeleine Monteleone (Stage Manager);  Winnie Nwakobi (Producer); Molly Thomas (Dramaturg); Cole Vincent (Lighting Design).
   Meanwhile, members of the Caribbean community are gearing up for their big summer cultural extravaganza which showcases carnival costumes along the streets of the City of Toronto and calypsonians are sharpening their performance skills to entertain audiences between now and the end of July.
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