First Nations Films at Victoria Film Festival this year
By William Doyle-Marshall
The Victoria Film festival begins Friday
in British Columbia. The nine day event is celebrating its 21st
anniversary.
Almost
everywhere you turn in this town there are people who have moved here from
various parts of Canada. Some come from North York, Thunder Bay, Windsor,
Scarborough as well as Saskatoon, Manitoba, Prince Edward Island and Nova
Scotia, who knows where else. Kathy Kay, festival director believes it is safe
to consider the event part of the city’s tourism programme especially as it is
happens in the off season. “The fact that we can bring in 11 to 12 percent attendees
who come from out of town who stay in hotels and go to restaurants and shop along
with go to all the movies, I think it has been very positive,” Ms. Kay
explained.
Why you cannot afford to miss the festival when you land in Victoria:
The Director says “it is just a great opportunity to see films that you wouldn’t
normally get to see and t think it’s fun to be part of the community when they
are coming out for an event like this. There is just more camaraderie and just
feeling being part of something and I think for all those reasons you want to
go to the Victoria Film Festival.”
“Filmmaking in Canada: An Indigenous Perspective” is the theme of a panel
discussion scheduled for Saturday February 7th from 4:00pm, at the Cenote • 768 Yates Street. As part of
the festival programming in association with its Indigenous Program, Aarrow Productions.
The discussion precedes the screening of My Legacy. The “Filmmaking
in Canada: An Indigenous Perspective” Award-winning actor, director and curator
Michelle Latimer will moderate the panel discussion. The esteemed panel will
include Lorne Cardinal, Roseanne Supernault, Sarah Hager and Helen Haig-Brown.
This year the
Festival celebrates “Indigenous New Wave” cinema with its first-ever Indigenous
program
focusing on Indigenous films. Michelle Latimer, a Métis/Algonquin award- winning filmmaker, actor, and curator, selected
this year’s line-up. Celebrating what has been described as the “Indigenous New
Wave” in cinema, the program features landmark films from some of Canada’s most
prolific and accomplished Indigenous artists, as well as emerging talent from
around the world.
Exploring the
troubling history of Canada’s treaties with First Nations peoples, prolific
filmmaker Alanis Obomsawin’s latest documentary, Trick or Treaty?, screening
February 8th. It uncovers
disturbing revelations about the legitimacy of the treaty process and
eloquently articulates how past injustices threaten to fracture our nation
today.
Special guests
set to attend the Festival in support of their work include Sydney Freeland, with
the critically lauded drama Drunktown’s Finest on February 10th.
The film which won the Jury Award at LA’s Outfest, explores the lives of three
young Navajo people who struggle to leave behind life on the reserve and form
their own identities. Helen Haig-Brown, one of five feature female directors-
is also scheduled to attend the Festival, with her intimate documentary My
Legacy which explores the intergenerational effects of Canada’s residential
school system. It screens February 7th. Considered cinematic,
poetic, and insightful, My Legacy tells a powerful tale of
personal and political forgiveness centering on Haig-Brown’s own story.
At the:
Parkside Theatre, 810 Humboldt Street, Friday, February 6th,
beginning at
1:00PM “The Changing State of Media” will be discussed by Harold Gronenthal Executive
Vice-President of Programming and Operations - AMC/Sundance Channel Global at
AMC Networks Inc. This 60 minute session is considered the Victoria Film Festival’s
annual review of what’s new, forecasted and unpredictable. Those attending can
expect to gain insights into how the changes impact the kinds of projects they
create and at the same time understand new opportunities.
At 2:30PM also
on Friday Net Neutrality will be discussed by another panel as part of the
festival’s Springboard programme. Moderated by Pat Ferns, panelists include: Steve
Anderson (Open Media); John Festinger (Vancouver lawyer) and Harold Gronenthal
(AMC)
The
panelists will discuss such issues as the competing visions of net neutrality
in the EU, Canada and the US; whether the internet should be seen as a vital public
utility or a commercial service; how critical services should be prioritized;
and what new challenges are presented by the growth of the Internet. In
addition the speakers are expected to look at the expanding role content plays
in the future of the net, particularly as internet viewing/streaming begins to
challenge more traditional viewing methods for audience and advertising.
Granny Power by Magnus Isaacsson of Quebec
will have its world premiere February 15. This is a documentary about a unique
activist movement – the Raging Grannies – that started 25 years ago in Victoria
as a satirical protest group. It has since grown into an international
movement. This is one of numerous full length films that will receive premiere
and world premieres during the week. Toronto Reel Asian International Film
Festival is presenting a collection of films including Monsooon, Brahmin Bulls
and Fandry. In addition there will be shorts covering a variety of subjects. For more information
about the Victoria Film Festival’s Opening Gala film and party, go to: https://boxoffice.victoriafilmfestival.com/film.php?id=1009&noIframe=1
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